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Thursday, January 10, 2008

Whether you are christian or not, I guess you all had a taste of the December traditional Christmas shopping crowd, which is on every end of year tables. Although the guy on the TV told me today that this 2007 season was not that great, I am sure we all had one or two crowds on the menu... How is it to feel like a fish? Exciting for some, suffocating for others, beautiful for a few.

We have seen in previous posts that contemporary artists use a wide range of media to communicate; from a simple canvas to marble; even the art market itself with Hirst, Koons or more recently Murakami (our first artwork of the month)... There is one that is not that new but tends to come back in front of the stage on a regular basis: The crowd.

Remember...
In 1938, Orson Welles broadcasts the novel War of the Worlds by H.G. Wells from the Mercury Theater. Instead of reading the original version, Welles adapts it to the contemporary context and presents it as if it was real. Newsflashes, interrupting a routine radio program...

The result? A huge panic! People packing and leaving massively the cities, numerous phone calls to the police from scared people reporting martian attacks, explosions... A great experimentation indeed!

Another different example, a contemporary example, an aesthetic example: Andreas Gursky

Andreas Gursky, Chicago Board of Trade II

Gursky's world of the 1990s is big, high-tech, fast-paced, expensive, and global. Within it, the anonymous individual is but one among many. Gursky's work draws a picture of our multicultural society from a specific angle, stressing the geometric beauty of the social interactions, of the world we shape. A cult of the anonymous. Another artist whose approach is similar in the sense that he points at the role of the individual among the mass, Spencer Tunick takes photos since 1992 of a mass he controls. By photographing a hundred or more of naked bodies in public spaces, he challenges and questions social, political and justice conventions (he is regularly arrested for photographing his naked models in public spaces). the result is a delicious aesthetic provocation in a strange, unusual manner in my opinion.

Chile 1 - Spencer Tunick 2002
Melbourne 2 - Spencer Tunick 2001

More recently, Antony Gormley proposed an interesting project (in the sense of using the crowd as a medium) for Trafalgar square in London. There, is an free place for you, artist, to expose your artwork (after a small contest between shortlisted contemporary artists) which already introduced Wallinger's Ecce Homo for example... Gormley proposed to allow people to be the artwork, one by one, for one complete hour, 24 hours a day, 7 days a week...

Easy to imagine the crowd of 'artwork wannabes' but also the virtual crowd that will be made of people in the growing pool of participants. Also a crowd of anonymous, but who will probably be the centre of the attention of a thousand tourists and their cameras, camera-phones... etc... An anonymous glory. Good luck Mr. Gormley!

A last example is the appearance of the Chapman brothers on a reality show here in Britain. To quote the Guardian who covered the subject: "It's frightening to think what Jake and Dinos might do to the housemates. Tie them up and watch them have sex with blow-up dolls? Make them act out some nihilistic performance involving Hitler, Ronald McDonald and nursery-rhyme characters? Force them to make toy panoramas of war, cannibalism and the apocalypse? The art world waits with baited breath". Let see what they planned for the TV crowd, it's currently on air.

I guess they may be inspired by the Czech arts collective Ztohoven, who hacked a cam used for the weather forecast in a TV news program. They inserted this apocalyptic image of an atomic explosion, which resulted to a Welles-like nightmare (Station phone calls, Heart attacks...) with the artists facing the possibility of three years in jail.

Click on the following link to see the video:http://www.youtube.com/watch?v=MzaN2x8qXcM

In Conclusion, there is no excuse in the contemporary context of the art, for you not to be an artwork! But remember that you, and only you are the crowd!

2 comments:

Roger Coss said...

Hello Seiinod,

You might find our site, the Spencer Tunick Forum and The Spencer Tunick Experience of interest. The foruum is for discussions of Spencer's work and accounts of events as well as some of his art, including he lesser known individual portraits.
www.spencertunickforum.org
The experience site is more for accounts of the events by those of us who participated
www.spencertunickexperience.com

Roger

Roger Coss said...

Oops! I' too tired to be up. It is www.thespencertunickexperience.org

Sorry about that.